The feel of her skin as she struggled beneath, the life inside, the death without. The breaching of life and death, of survival uncaged inside him: a dark beast with violence and sex in its soul. In his soul.

and the wind gathered the leaves as a mother gathers her children and blew them irrevocably, lovingly, into the haunted wildness

It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.

All throughout our lives, we selectively draw on selected shavings of life events and reflect upon them through consciousness, creating an arranged catalogue of senses, faculties, and mental activities that compose our personal life story.

You could have fucked me __il your uncut, overexposed on the blogs, __oo ginormous for my snatch_ pecker fell off. And I__ still no way never ever in a thousand years sell, loan, sample you my Easton. And to answer your question, I run my company with my pussy, and twenty-four other pussy-sporting employees. Easton girls do not allow dickheads or cocks in our fashion world. Period.

Let me put it this way. You, my beautiful girl, have the power to really hurt me, with how I feel about you. Far more than anyone else ever has or ever could. I don__ know if you realize that.