Claws grabbed his head from behind, curving round his face, serrated talons gouging into his eyes
Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell.
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Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell.
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The Professor gripped his axe, having pulled it, with some difficulty, from the boy's head.
I never said you had to like it. You have to accept it. No regret." - Clare Harding From the current book in writing BUMPKIN by Lani Brown.
Where got she her sullen mouthAnd where her swaying form?Would she live on eggs and applesWhen the blood of men is warm?(__he Young Witch_)
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
Witches are liberated from their own fears and limited thinking. In turn, their presence has the power to liberate and consciously expand others.