Sometimes to be at home is like a nightmare by Stephen King.

I am the happiest man alive. I have that in me that can convert poverty to riches, adversity to prosperity, and I am more invulnerable than Archilles; Fortune hath not one place to hit me.

We belong to a nation, whose fate is to shoot at the enemy with diamonds.

So what's the point, then, if we can't be happy? Why are we doing any of this?""Oh, there's definitely happiness," Jack said, turning his back on the ocean and looking at her. "But it's just about moments, not ever-afters." He grinned. "Like when you're right in the middle of the ocean with your friends, with no one trying to kill you in any kind of horrifying way. You have to appreciate these moments when they happen, 'cause obviously we don't get many of them.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

If it's any consolation, Princess, I think he's a supercilious, salacious sap.""You've been reading the dictionary!""My only hope of comprehending your conversation, my petite sesquipedalian.