You stole my story and something's got to be done about it.
I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (__dvance Notice_)
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I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (__dvance Notice_)
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I have sat here at my desk, day after day, night after night, a blank sheet of paper before me, unable to lift my pen, trembling and weeping too.
Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House")
You can get used to horror, he thought. When it has lost immediacy and is no longer pungent and has become a steady diet. When it has degraded to a chain of mind-numbing events. (__over When You're Near Me_)
Writing to corroborate what you already think is the essence of bad writing.
All throughout our lives, we selectively draw on selected shavings of life events and reflect upon them through consciousness, creating an arranged catalogue of senses, faculties, and mental activities that compose our personal life story.