Horror as for me is the best choice, you can gain a lot of. I like to be afraid like to see this shit happening on me, I feel happy.
Chese now," quod she, "oon of thise thynges tweye:To han me foul and old til that I deye,And be to yow a trewe, humble wyf,And nevere yow displese in al my lyf,Or elles ye wol han me yong and fair,And take youre aventure of the repairThat shal be to youre hous by cause of me,Or in som oother place, may wel be.Now chese yourselven, wheither that yow liketh.
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Chese now," quod she, "oon of thise thynges tweye:To han me foul and old til that I deye,And be to yow a trewe, humble wyf,And nevere yow displese in al my lyf,Or elles ye wol han me yong and fair,And take youre aventure of the repairThat shal be to youre hous by cause of me,Or in som oother place, may wel be.Now chese yourselven, wheither that yow liketh.
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Our consciousness on the physical plane is relatively crude. We view choice making in terms of language, but like time, language is a construct of the physical plane. Nonetheless, on some level and in some way that may be incomprehensible to us now, we chose all the components of who we are__hey are not imposed upon it.
The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.