Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.
The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its __lamboyant_ style, Islamic art is contemplative rather than volitive: it is __ntellectual_ and not __ramatic_, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of __mnipresence_ (__od is everywhere_), which coincides with that of __imultaneity_ (__ruth has always been_); it aims at avoiding any __articularization_ or __ondensation_, any __nique fact_ in time and space, although as a religion it necessarily includes an aspect of __nique fact_, without which it would be ineffective or even absurd. In other words Islam aims at what is __verywhere center_, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it __ecentralizes_ and __niversalizes_ to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any __ersonalist_ mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam__n art as in theology__s a usurpation of the divine absoluteness and therefore as an __ssociation_ (shirk); there is only one single center, God, whence the prohibition against __entralizing_ images, especially statues; even the Prophet, the human center of the tradition, has no right to a __hristic uniqueness_ and is __ecentralized_ by the series of other Prophets; the same is true of Islam__r the Koran__hich is similarly integrated in a universal __abric_ and a cosmic __hythm_, having been preceded by other religions__r other __ooks___hich it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points.If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.
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The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its __lamboyant_ style, Islamic art is contemplative rather than volitive: it is __ntellectual_ and not __ramatic_, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of __mnipresence_ (__od is everywhere_), which coincides with that of __imultaneity_ (__ruth has always been_); it aims at avoiding any __articularization_ or __ondensation_, any __nique fact_ in time and space, although as a religion it necessarily includes an aspect of __nique fact_, without which it would be ineffective or even absurd. In other words Islam aims at what is __verywhere center_, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it __ecentralizes_ and __niversalizes_ to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any __ersonalist_ mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam__n art as in theology__s a usurpation of the divine absoluteness and therefore as an __ssociation_ (shirk); there is only one single center, God, whence the prohibition against __entralizing_ images, especially statues; even the Prophet, the human center of the tradition, has no right to a __hristic uniqueness_ and is __ecentralized_ by the series of other Prophets; the same is true of Islam__r the Koran__hich is similarly integrated in a universal __abric_ and a cosmic __hythm_, having been preceded by other religions__r other __ooks___hich it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points.If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.
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Similitude of the heart is like that of a telephone operator between man and God.
Art, even the art of fullest scope and widest vision, can never really show us the external world. All that it shows us is our own soul, the one world of which we have any real cognisance. And the soul itself, the soul of each one of us, is to each one of us a mystery. It hides in the dark and broods, and consciousness cannot tell us of its workings. Consciousness, indeed, is quite inadequate to explain the contents of personality. It is Art, and Art only, that reveals us to ourselves.
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Non-duality has been the root of all religious movements on this planet.
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