I'm electric with vertigo, even though I'm on the ground, vertigo like I felt once when I stood on the edge of a high cliff in Arizona and looked straight down.

There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.

It's my time to scare you, it's time for scary story.

I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.

Whether consciousness is implanted in us by something divine, or whether it is created by the efforts of our brains, the end result is the same. We are.

The war consciousness is purposely cultivated to guide the male away from the natural, healthy balances between masculine and feminine energies, and toward more unbalanced and detached psychologies.