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We pay people and reward them for greed and sleaze . When a sex tape gets made a star is born with a publicity agent on speed dial a six figure pay cheque and a tacky lingerie line....selling filth so you can get your face on Time magazine... From Jukebox
Saira Viola
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We pay people and reward them for greed and sleaze . When a sex tape gets made a star is born with a publicity agent on speed dial a six figure pay cheque and a tacky lingerie line....selling filth so you can get your face on Time magazine... From Jukebox

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The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")

FJ
Francis M. Nevins Jr.

Night and Fear: A Centenary Collection of Stories by Cornell Woolrich

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I have one word to say upon the subject of profound writers, who are grown very numerous of late; and I know very well the judicious world is resolved to list me in that number. I conceive therefore, as to the business of being profound, that it is with writers as with wells; a person with good eyes may see to the bottom of the deepest, provided any water be there; and often, when there is nothing in the world at the bottom, besides dryness and dirt, though it be but a yard and half under ground, it shall pass however for wondrous deep, upon no wiser a reason than because it is wondrous dark.

JS
Jonathan Swift

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