The real history of consciousness starts with one's first lie.
The ability to lie persuasively is one of the greatest gifts a woman can possess in this life. Some critics, principally men, will argue that deception in women is inherently evil; but having spent the last fifteen years of my life in the theater, I can attest that lying not only is sometimes expedient but can save one's career.
Nocturne for a Widow
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The ability to lie persuasively is one of the greatest gifts a woman can possess in this life. Some critics, principally men, will argue that deception in women is inherently evil; but having spent the last fifteen years of my life in the theater, I can attest that lying not only is sometimes expedient but can save one's career.
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The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.
Being comfortable with the lies can be catastrophic.
Not that it was a crazy complicated skill, but operating an espresso machine during high traffic could be added to my repertoire along with card tricks and how to fire a Colt .45.(Quote taken from ARC, subject to change)
When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.
There is one kind of laugh that I always did recommend; it looks out of the eye first with a merry twinkle, then it creeps down on its hands and knees and plays around the mouth like a pretty moth around the blaze of a candle, then it steals over into the dimples of the cheeks and rides around in those whirlpools for a while, then it lights up the whole face like the mellow bloom on a damask rose, then it swims up on the air, with a peal as clear and as happy as a dinner-bell, then it goes back again on gold tiptoes like an angel out for an airing, and it lies down on its little bed of violets in the heart where it came from.