It was not a noisy wind but the kind that suggests something very big and thin fresh from the horror of Infinite Space.
She was a planet, way out in space, out of its orbit, and he was an unmanned spaceship, taking measurements of the atmosphere. She was not suitable for habitation.
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She was a planet, way out in space, out of its orbit, and he was an unmanned spaceship, taking measurements of the atmosphere. She was not suitable for habitation.
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I am, like you, travelling along a road of absolute uncertainty and chaos. The only truth is that one day, we will all reach the end.
A typical Celestine will devote a large proportion of their time to passing through the inscribed sectors of the planet studying the writings, either alone or accompanied by companions with whom to share comments. This is a favourite pastime among them, and as they travel towards the boundaries of the inscribed regions they can watch the ongoing work of those Celestines that have been chosen to record their ideas _ tirelessly twisting, pausing to gather energy, then exerting themselves again; painstakingly working the same patch of dust several thousand times over to shape each individual furrow; to capture, symbol by symbol, the knowledge they have contributed to the Celestine corpus. There is great pride and precision, as well as immense labour, in their toil. Before they commence work, the piece of ground that will house the writing will be chosen very carefully for its aspect. Then, the most favourable angle to the light will be calculated, for the orientation of the wording. The language used is of the most poetic and grandiose sort, quite different from the vernacular, and the symbols themselves are embellished with flourishes, extravagances and curlicues that are unique to the creator. Celestines love to observe this work, which constitutes the pinnacle of their art and of their ceaseless thought-endeavours, and embodies their very reason for being.
If you behave in a manner that poisons your relationship, don__ be surprised when it dies.
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.Like the spaces between our fingers, in the spaces between I, love, and you, we wait.The in-betweens have always been my favorite.
And me, standing under the splintered night, catching fractured glimpses into the black behind the black, hearing the prayers of stars, the angry whispers of the dark summer night.Its voice cracks,on your name.My eyes close,on your name.