Succumbing finally, she lets out a loud shriek as her vehicle stops at a red light. __uck._ She hollers cursing the night. Cursing the shadows, cursing the unknown condemned she intends to meet this evening. Tears roll down her cheeks landing on her bullet proof vest.

I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.

The pinnacle of human consciousness must be the rejection of unhealthy competition, war and violence.

The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

Most people like mirrors; what they do not like, is people, who are mirrors.

Indeed, wounded loved can make for fierce vengeance. And, from what I know of Anissa, it does seem a bit out of character for her to behave so spitefully, so I'd like to think that she really is just deeply hurt, angry and looking for some way to injure me back...I hope she knows how well she's succeeded.