Be the celebrators, celebrate! Already there is too much__he flowers have bloomed, the birds are singing, the sun is there in the sky__elebrate it! You are breathing and you are alive and you have consciousness, celebrate it!
On harsh, frigid January days, when the winds are relentless and the snow piles up around us, I often think of our small feathered friends back on the Third Line. I wonder if the old feeder is still standing in the orchard and if anyone thinks to put out a few crumbs and some bacon drippings for our beautiful, hungry, winter birds. In the stark, white landscape they provided a welcome splash of colour and their songs gave us hope through the long, silent winter.
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On harsh, frigid January days, when the winds are relentless and the snow piles up around us, I often think of our small feathered friends back on the Third Line. I wonder if the old feeder is still standing in the orchard and if anyone thinks to put out a few crumbs and some bacon drippings for our beautiful, hungry, winter birds. In the stark, white landscape they provided a welcome splash of colour and their songs gave us hope through the long, silent winter.
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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
This winter, there will be no voices, no glimpses, no arms.only the fabric of poetry, to keep me warm.