Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

You stole my story and something's got to be done about it.

I have sat here at my desk, day after day, night after night, a blank sheet of paper before me, unable to lift my pen, trembling and weeping too.

I was crying for the little girl I had been, who had withstood terrifying nightmares of death and blood and war and maiming. And when I had tried to share those horrors, the shock on my friends' faces had told me I was not normal, and I should keep my dreams to myself.

Writing to corroborate what you already think is the essence of bad writing.

All throughout our lives, we selectively draw on selected shavings of life events and reflect upon them through consciousness, creating an arranged catalogue of senses, faculties, and mental activities that compose our personal life story.