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And another thing about German symphonic development: [it's] just like German philosophy, all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with reasoning. Just keep one thing in mind. The creative act carries within itself its own aesthetic laws. When an artist revises, it means he is dissatisfied. When he revises what is already satisfying, he is Germanizing, chewing over what has [already] been said. We Russians are not cud chewers; we are omnivores!
Modest Mussorgsky
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And another thing about German symphonic development: [it's] just like German philosophy, all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with reasoning. Just keep one thing in mind. The creative act carries within itself its own aesthetic laws. When an artist revises, it means he is dissatisfied. When he revises what is already satisfying, he is Germanizing, chewing over what has [already] been said. We Russians are not cud chewers; we are omnivores!

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From all that urges and admonishes, the romantic turns away. He wants to dream, enjoy, immerse himself, instead of clearing his way by striving and wrestling. That which has been and rises out of what is past occupies him far more than what is to become and also more than what wants to become; for the word of the future would always be command. Experiences with their many echoes and their billows stand higher in his estimation than life with its tasks; for tasks always establish a bond with harsh reality. And from this he is in flight. He does not want to struggles against fate, but rather to receive it with an ardent and devout soul; he does not want to wrestle for the blessing, but to experience it, abandoning himself, devoid of will, to what spells salvation and bliss.

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Judaism and Christianity: essays by Leo Baeck