Is is as if life or reality itself has had it in mind all along to unravel the very design i have been trying all along to impose on it.
Our minds become slaves to those we see as having total power to control us and to cause pain to us. We are quick to give up control of ourselves to those who have the power to rule us as long as they also have the power to feed us. This is the fundamental construct of a feudal society.
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Our minds become slaves to those we see as having total power to control us and to cause pain to us. We are quick to give up control of ourselves to those who have the power to rule us as long as they also have the power to feed us. This is the fundamental construct of a feudal society.
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Now, however open a person manages to be, there is one possibility to which he remains as closed as ever: the possibility that when he uncovers his deepest anxieties he will find hidden inside them certain horrifying truths which his whole effort to control his life has been designed to keep repressed.
When we operate on the basis of the will to control, we are aware of only one kind of "evil": the failure of existence to conform to the plan we have for it.
What we work so hard to avoid is the shattering of our lives by horrors we know we will be helpless to control.
Value your parabatai," he said. "For it is a precious bond. All love is precious. It is why we do what we do. Why do we fight demons? Why are they not fit custodians of this world? What makes us better? It is because they do not build, but destroy. They do not love, but hate only. We are human and fallible, we Shadowhunters. But if we did not have the capability to love, we could not guard humans; we must love to guard them. My parabatai, he loved like few ever could love, with all and everything. I see you are like that too; it burns more brightly in you than the fire of Heaven
It is this outer reach of existential abnegation _ the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition _ that Mirbeau consistently sought to decry with horror.