You come to this place, mid-life. You don__ know how you got here, but suddenly you__e staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn__. When the midwife says, __t__ a boy,_ where does the girl go? When you think you__e pregnant, and you__e not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

Personality begins where comparison leaves off. Be unique. Be memorable. Be confident. Be proud.

Is the Starwife a witch?" asked Firgil. "Is any wise female a witch? Just because they have been blessed by the Green and given strange and beautiful gifts, does not mean they use them for evil purposes.

In the first play, the crisis is Thomas More. In the second it__ Anne Boleyn. In the third book, and the third play, it__ crisis every day, an overlapping series of only just negotiable horrors. It__ climbing and climbing. Then a sudden abrupt fall - within days.

Typically, images or paintings are designated as anamorphic when, in order for the image to appear, a particular line of sight must be adopted. The image only shows up when approached from the angle dictated to the viewer by the image's own set of conditions. In this sense, the viewer must 're-form' their perspective to match the perspective demanded by the image. We are not free to approach the image as we wish; the image is free to assign us a perspective proper to itself... Anamorphosis, then, describes the freedom of the phenomenon to give itself as it wishes and it measures the extent to which this freedom turns the tables on the one to whom it appears. To receive a phenomenon as it wishes to give itself is to yield control and suspend our own timetables and preconditions in order to be faithful to the conditions set by what gives itself.

It may be that we have lost our ability to hold a blazing coal, to move unfettered through time, to walk on water, because we have been taught that such things have to be earned; we should deserve them; we must be qualified. We are suspicious of grace. We are afraid of the very lavishness of the gift. But a child rejoices in presents!