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But the other Ministers considered that to employ a magician was one thing, novelists were quite another and they would not stoop to it.
Susanna Clarke Jonathan Strange & Mr Norrell
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But the other Ministers considered that to employ a magician was one thing, novelists were quite another and they would not stoop to it.
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Susanna Clarke

Jonathan Strange & Mr Norrell

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And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.

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Anaïs Nin

Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin

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After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.I have learned over the years, this ain__ so.As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.From then on, my friends; we have a story!By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn__ that.Until we reach the point where there is not a single word left anywhere in the book, that isn__ a vital, dynamic, organic contributor to the living whole.