Daylight does not lend itself to terror: objects and people are plain to see; and we encounter there only those things which dare to show themselves in the glare of day. But night, opaque night denser than walls, night, empty and infinite and so black and fathomless that terrifying things reach out and touch us, night when we feel horror stirring, mysteriously prowling__ight seemed to him to hide some unknown, imminent, threatening danger. What could it be?

There are some days we can claim and there are other days that claim us.

Seems to me people are mean or evil because they're scared, mostly, or in pain, or afraid they're going to lose something.

Some selfish people rise because some kind people haven't learned the art of saying no to them.

I have a deep-down belief that there are folks in the world who are good through and through, and others who came in mean and will go out mean. It's like coffee. Once it's roasted, it all looks brown. Until you pour hot water on it and see what comes out. Folks get into hot water, you see what comes out.

In the centre of Bond was a hurricane-room, the kind of citadel found in old-fashioned houses in the tropics. These rooms are small, strongly built cells in the heart of the house, in the middle of the ground floor and sometimes dug down into its foundations. To this cell the owner and his family retire if the storm threatens to destroy the house, and they stay there until the danger is past. Bond went to his hurricane room only when the situation was beyond his control and no other possible action could be taken. Now he retired to this citadel, closed his mind to the hell of noise and violent movement, and focused on a single stitch in the back of the seat in front of him, waiting with slackened nerves for whatever fate had decided for B. E. A. Flight No. 130.