You come to this place, mid-life. You don__ know how you got here, but suddenly you__e staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn__. When the midwife says, __t__ a boy,_ where does the girl go? When you think you__e pregnant, and you__e not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

she slammed the door andwas gone.I looked at the closed doorand at the doorknoband strangelyI didn't feelalone.

If it is possible to die of grief then why on earth can't someone be healed by happiness?

The practice of love offers no place of safety. We risk loss, hurt, pain. We risk being acted upon by forces outside our control.

In the first play, the crisis is Thomas More. In the second it__ Anne Boleyn. In the third book, and the third play, it__ crisis every day, an overlapping series of only just negotiable horrors. It__ climbing and climbing. Then a sudden abrupt fall - within days.

She needed to recover. His father had died in January; it was only the end of May. They needed to stick to the routine they'd established during the intervening months. in that way, their life would return to its original shape, like a spring stretched in bad times but contracting eventually into happiness. That the world could come permanently unsprung had never occurred to him.