The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.

If a culture is good or evil, it is only because of its carriers.

Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.

In this view, man is an energy-convertingorganism who must exert his manipulative powers, who must damage his world in some ways, who must make it uncomfortable for others, etc., by his own nature as an active being. He seeks self-expansionfrom a very uncertain power base. Even if man hurtsothers, it is because he is weak and afraid, not because he is confident and cruel. Rousseau summed up this point of view with the idea that only the strong person can be ethical, not the weak one.

Being well known for being well-known did not necessarily imply intelligence.

It's daft, locking us up," said Nanny. "I'd have had us killed.""That's because you're basically good," said Magrat. "The good are innocent and create justice. The bad are guilty, which is why they invent mercy.