I guess everybody thinks about old times, even the happiest people.

Winter is already a lost shape, forgottenin the ground. Instead, here is Springwith all the grace of a womansmoothing out her apron.

Always choose the adventure ... unless, it's chilly outside and there's a cup of warm coffee resting near a book and comfy sofa.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

This winter, there will be no voices, no glimpses, no arms.only the fabric of poetry, to keep me warm.

But writing is a queer business. If one does anything that is sharp and keep enough to go over the line, to get itself with the work that is taken seriously, one has to have had either an unusual knowledge of or a peculiar sympathy with the characters one handles. One can__ write about what one most admires always__ou must, by some accident, have seen into your character very deeply, and it is this accident of intense realization of him that give your writing about him tone and distinction, that lifts it above the commonplace, in other words