Cinema _ all art really _ has great power. Power to illuminate. Power to transform. For those of us who experience film as literature, classic movies comprised an introductory education in the genre. As kids, many of us went searching through library shelves for obscure source novels after seeing some old movie or other. It was the start of many an adventure.
A cinema villain essentially needs a moustache so he can twiddle with it gleefully as he cooks up his next nasty plan.
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A cinema villain essentially needs a moustache so he can twiddle with it gleefully as he cooks up his next nasty plan.
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I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.
These minor, natural flaws did not explain why hers was but the deceptive beauty of the poisoned apple. It was not merely that she was shallow, a creature of simple malice: within her tiny skull a storm raged, hectic, vicious and vengeful. The depths of her character were murky and she herself, had she made the attempt, would struggle to rationalise her behaviour. In morals she was well-versed, for they had been imparted to her through fables as a young child, yet she could find no trace of villainy in her own actions. In her skewed world-view she was set apart.
Maybe our greatest enemy isn__ the evil around us, but the evil inside us.
A son for a son, heh. But that's a grandson...and he never was much use." --Walder Frey
Behind every villain is a truth, whether it be perceived or actual.