The whole thing becomes like this evil enchantment from a fairy tale, but you're made to believe the spell can never be broken.

No__ne believes they__e a hero. But that doesn__ mean they__e not heroic - Captain Spectre.

The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")

Evangeline," he sighed. "It ain't ever goan to be easy with you, is it?

Before long, everyone was giving him answers, and feeling a little superior, because it was really remarkable the number of things Chrestomanci seemed not to know. He had heard of Hitler, though he asked Brian to refresh his memory about him, but he had only the haziest notion about Gandhi or Einstein, and he had never heard of Walt Disney or reggae.

You know who you are you just have to believe it.