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Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.
Toni Morrison The Nobel Lecture In Literature, 1993
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Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.
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Toni Morrison

The Nobel Lecture In Literature, 1993

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Ay, that I had not done a thousand more.Even now I curse the day__nd yet, I think,Few come within the compass of my curse,__herein I did not some notorious ill,As kill a man, or else devise his death,Ravish a maid, or plot the way to do it,Accuse some innocent and forswear myself,Set deadly enmity between two friends,Make poor men's cattle break their necks;Set fire on barns and hay-stacks in the night,And bid the owners quench them with their tears.Oft have I digg'd up dead men from their graves,And set them upright at their dear friends' doors,Even when their sorrows almost were forgot;And on their skins, as on the bark of trees,Have with my knife carved in Roman letters,'Let not your sorrow die, though I am dead.'Tut, I have done a thousand dreadful thingsAs willingly as one would kill a fly,And nothing grieves me heartily indeedBut that I cannot do ten thousand more.