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Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.
Elvis Mitchell
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Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

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