Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
When the wildish woman has an idea, the friend or lover will never say, "Well, I don't know . . . sounds really dumb [grandiose, undoable, expensive, etc.] to me." A right friend will never say that. They might say instead . . . "I don't know if I understand. Tell me how you see it. Tell me how it will work.
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When the wildish woman has an idea, the friend or lover will never say, "Well, I don't know . . . sounds really dumb [grandiose, undoable, expensive, etc.] to me." A right friend will never say that. They might say instead . . . "I don't know if I understand. Tell me how you see it. Tell me how it will work.
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The wild nature has a vast integrity to it. It means to establish one's territory, to find one's pack, to be in one's body with certainty and pride regardless of the body's gifts and limitations, to speak and act in one's own behalf, to be aware, alert, to draw on the innate feminine powers of intuition and sensing, to come into one's cycles, to find what one belongs to, to rise with dignity, to retain as much consciousness as possible. -Clarissa Pinkola Estés, Women Who Run With The Wolves, Singing Over The Bones, P10.
The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.
When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.
...this refinement and delicacy were what Cale adored; but Cale had been beaten into shape, hammered in dreadful fires of fear and pain. How could she be with him for long? A secret part of Arbell had been searching for some time for a way to leave her lover__lthough she was unaware of this, it is only fair to record. And so as Cale waited for her to save him while he worked out a way of saving her, she had already chosen the bitter but reasonable path of the good, of the many over the one...
A truly happy woman drives some men and almost every other woman absolutely crazy