I am not scoffing at goodness, which is far more difficult to explain than evil, and just as complicated. But sometimes it's hard to put up with.
I've forgotten about these things all winter, but here they are again, and when I see them I remember them, I know them, I greet them as if they are home.
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I've forgotten about these things all winter, but here they are again, and when I see them I remember them, I know them, I greet them as if they are home.
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Stupidity is the same as evil if you judge by the results.
Winter is already a lost shape, forgottenin the ground. Instead, here is Springwith all the grace of a womansmoothing out her apron.
Always choose the adventure ... unless, it's chilly outside and there's a cup of warm coffee resting near a book and comfy sofa.
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn__ as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor _ people did do that quite a bit; usually men, but not always _ or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down.