Short stories are great start, but if they are true that's the best start so far in about 222 short stories I have viewed and I have already shared them in the book series Reddit Collection.

Dread is the first and the strongest types of fear. It is that tension, that waiting that comes when you know there is something to fear but you have not yet identified what it is. The fear that comes when you first realize that your spouse should have been home an hour ago; when you realize that a window you are sure you closed is now open, the curtains billowing, and you're alone in the house.Terror only comes when you see the thing you're afraid of. The intruder is coming at you with a knife. The headlights coming toward you are clearly in your lane. The Klansmen have emerged from the bushes and one of them is holding a rope. This is when all the muscles of your body, except perhaps the sphincters, tauten and you stand rigid; or you scream; or you run. There is a frenzy to this moment, a climactic power-but it is the power of release, not the power of tension. And bad as it is, it is better than dread in this respect: Now, at lest, you know the face of the thing you fear. You know its borders, its dimensions. You know what to expect.Horror is the weakest of all. After the fearful thing has happened, you see its remainder, its relics. The grisly, hacked-up corpse. Your emotions range from nausea to pity for the victim. And even your pity is tinged with revulsion and disgust; ultimately you reject the scene and deny its humanity; with repetition, horror loses its ability to move you and, to some degree, dehumanizes the victim and therefore dehumanizes you. As the sonderkommandos in the death camps learned, after you move enough naked murdered corpses, it stops making you want to weep or puke. You just do it. They've stopped being people to you.

And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.

I hate you. I wish you was dead."Mrs. Carey gasped. He said the words so savagely that it gave her quite a_start. She had nothing to say. She sat down in her husband's chair; and as she thought of her desire to love the friendless, crippled boy and her_eager wish that he should love her--she was a barren woman and, even_though it was clearly God's will that she should be childless, she could_scarcely bear to look at little children sometimes, her heart ached_so--the tears rose to her eyes and one by one, slowly, rolled down her cheeks. Philip watched her in amazement. She took out her handkerchief,_and now she cried without restraint. Suddenly Philip realised that she was_crying because of what he had said, and he was sorry. He went up to her silently and kissed her. It was the first kiss he had ever given herwithout being asked. And the poor lady, so small in her black satin,_shrivelled up and sallow, with her funny corkscrew curls, took the little_boy on her lap and put her arms around him and wept as though her heart would break. But her tears were partly tears of happiness, for she felt_that the strangeness between them was gone. She loved him now with a new_love because he had made her suffer.

nowhere in this universe does evil exist except in the mind of mankind. only man can take an idea or symbol which is so simple and innocent, and then twist it and corrupt it until it is something to hate or kill one another over.

This is the real Madame. I can see why she hides herself in accents and gems and exotic perfumes. I can see why she's grown to hate anything to do with love. She isn't evil or corrupt the way that Vaughn is. She's broken. Only broken.