The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

I pray you, do not fall in love with me, for I am falser than vows made in wine.

A truly happy woman drives some men and almost every other woman absolutely crazy

Ay, that I had not done a thousand more.Even now I curse the day__nd yet, I think,Few come within the compass of my curse,__herein I did not some notorious ill,As kill a man, or else devise his death,Ravish a maid, or plot the way to do it,Accuse some innocent and forswear myself,Set deadly enmity between two friends,Make poor men's cattle break their necks;Set fire on barns and hay-stacks in the night,And bid the owners quench them with their tears.Oft have I digg'd up dead men from their graves,And set them upright at their dear friends' doors,Even when their sorrows almost were forgot;And on their skins, as on the bark of trees,Have with my knife carved in Roman letters,'Let not your sorrow die, though I am dead.'Tut, I have done a thousand dreadful thingsAs willingly as one would kill a fly,And nothing grieves me heartily indeedBut that I cannot do ten thousand more.

In thy foul throat thou liest.