Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.

In the course of our journey leading to Consciousness, our objective should not be creating a positive character, and thus a pleasant scenario, but finding the Existence behind every scenario.

We are therefore constantly on the road, straying from one mental image to the next, and identify with these images, and derive our identity from the images.

The Wanderer will stop when they recognize the activities of the mind and refuse to follow it any longer. The Wanderer realizes that with the help of the mind they will not be able to surpass the mind. The Wanderer will experience that stopping is the inactive moment of the mind, the silence between thoughts. In that silence, the Wanderer will experience the Consciousness without forms, and recognize that he or she is in fact the Presence without thoughts.

The Wanderer in every moment spent awake faces two alternatives: a choice is to be made between the ambitions stretching between past and future, or the quiet, simplicity, purity and emptiness, full of vibrating life, of the present. It is, however, only the latter that brings to the life of the Wanderer the Witnessing Presence!

The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.