Whatever one does, someone is always happy...then again, someone else is not pleased

The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.

[Lizzie Bennington to a reporter who has asked for her opinion about Jack Archer's celebrated thighs.] __hen you come back from a set down and bring the match to a final set tiebreak and are a point away from winning the match, only to have what looks like an extremely fit player call a time out because of a cramp and then watch that player sit back and casually converse and laugh while you do your best to keep your mental focus and your body moving so you don__ grow cold and cramp yourself, I hardly think you__ concern yourself with his burgeoning manhood, let alone his thighs!

He was working that charm right now on the trainer who kneeled before him and touched his thigh as though it were the thigh of David, Michelangelo__ glorious statue come to life right here on court.

Well, with that filly in my line of vision blushing like a virgin, something in me was bound to stand at attention. And my walking legs were occupied.